I Spent 1 Year Creating A Sculpture That Works With Electrical Current Which Helps Corals Grow 3-5 Times Faster (13 Pics)

I created The Fight for the Last of Life over the course of a year, and after quite a lot of literal blood and sweat, I couldn't be happier to see it resting on the seafloor where it belongs.

I would've liked to have completed it more quickly, but I can only work on these projects in the little spare time I have outside of teaching reef conservation biology to the students who join us from all over, through our non-profit Conservation Diver.

With the help of my colleague Bob, and electrical engineer from Holland, we've run a low impressed current through this sculpture, turning it into a Cathode through seawater electrolysis. This process encourages coral growth and enhances the survivability of these threatened organisms, with scientific studies suggesting corals can grow 3-5 times more rapidly through this technique by contrast to natural conditions.

More info: conservationdiver.com

This cup will soon be restored by our team at Conservation Diver with a genetically diverse feedstock of opportunistic coral fragments (nothing broken or physically damaged by hand). The Cup of Life, will be growing a beautiful endangered Acropora coral up and out of it, that the other sculptures are reaching out for to steal for their own ends.

This concept was one I've been dreaming about creating for the last 3 years since my mentor and colleague Chad Scott was diagnosed with Leukemia (AML specifically). He is an inspiration to everyone he ever met, and his diagnosis sent me spiraling into a dark depression. Watching a man in his early 30s, one with so much incredible potential (which he still retains to this day), shattered my belief in "good things come to good people". His entire life he had to fight for everything he ever did, and as a reef conservation biologist was constantly struggling against others who seek to take credit for his work, profiteer off it, or bastardize it in some way shape or form. Months after his diagnosis, I drew up a concept sketch, of him reaching towards the surface, with hands reaching up and out of the sculpture, attempting to grab onto him, to either hold him back or have them take him with them.

More than 3 years later, the concept evolved a great deal. The cup held by the central sculpture will have a coral planted into it, embodying the proverbial cup of life. The sculpture's face is broken, as are their hands, a reference to our rapidly decaying humanity and environment. The other two sculptures reaching out for him, instead of faces, are masked. These sculptures are those that would seek to take the work of those conservationists who fight sincerely for the betterment of the planet. They seek to use that work to their own end as a form of greenwashing, a practice so common in today's world that it has made skeptics of all of us.

The sculptures weren't physically welded to the base frame. I don't have a lot of money, so I needed to be able to deploy these sculptures from a small vessel without the help of a crane. Everything needed to be lifted by hand and then freedived down to 35 feet to the seafloor.

The sculptures were put into their correct positions, and I bolted them onto the base from using U-Bolts and reinforced steel hose clamps.

I really love the soldering that I did to connect the Cup of Life to the rest of the sculpture's rebar skeleton, so the electrical current would carry through to it and allow it to accrete minerals.

With the low impressed electrical current running through it, here you can see the effect of the calcium carbonate crust reinforcing the sculpture's bars. This beautiful white crust is the same material that corals use to build their skeleton and is what makes them grow so much quicker on this sculpture than under natural conditions!

If you doubt the power of CoralAid and mineral accretion technology (electrifying reefs), this is the rest of the site only a year and a half after it was deployed. Just look at that beautiful coral growth in an area that was once entirely sand.

In closing, I'd like to say thank you, Chad Scott. You're a friend, my mentor, and a hero.